050719_YKBP_A5.pdf
5 Broadcaster Press
Feeling Useful
By Daris Howard
Have you ever had reason to wonder how
useful you are? Recently, one of my daughters came home, saw me, and asked if I had
suddenly gotten gray. I had to admit it was
because I hadn’t used Grecian in a while.
With that grayness, some people think I
can’t do anything, and I feel old and useless.
A case in point occurred Monday. My
daughter, Elliana, plays the harp. She’s only
sixteen but is very professional. She has
played for weddings, Christmas gatherings,
and even been the lead act for well-known
musicians. Recently, a famous musician’s
staff posted that he was looking for some
harpists to play in a music video. Donna, my
wife, thought this would be a great opportunity for Elliana. Elliana loves the musician’s
music, so she was excited.
The video shoot was less than a week
away, so Donna quickly applied. Three days
later, Elliana was accepted, and early on
Monday morning we headed to Utah.
We got there early in
the afternoon, and there
was a lot to be done before
the videotaping at three
o’clock. The girls had to get
on makeup, have their hair
braided, and make sure all
of their clothing was just
right. For most of it, I was
the only dad there, and I felt
useless. I asked if there was
anything I could do, and the
answer was pretty much for
me to just stay out of the
road.
The makeup took about
two hours. Finally, it was
time to move the harps into
position. That was when we
learned something interesting. The video shoot was to
be in a dry water fountain,
and the harps were to be
lined up around the inside
of the fountain. This posed
a problem since the wall was
about eighteen inches tall.
At the thought of their harps
being picked up a couple of
feet and lifted over the wall
into the fountain, looks of
horror showed on the faces
of the harpists and their mothers. Also, the
film crew knew next to nothing about moving harps.
One girl had a small harp, and I asked the
mother if she wanted me to lift it over the
wall. She knew that there are certain ways
to lift a harp because there are parts that
should not be stressed. “Have you ever lifted
a harp before?” she asked.
“I carried my daughter’s full-size concert
harp everywhere for years,” I said.
She reluctantly agreed. I told two of the
men from the film crew to get inside the
fountain. I picked up the harp, keeping it upright, and handed it across the wall to them.
They carefully set it down.
“That’s fine with a small harp,” one mother said. “But what about a full-size concert
harp?”
She was not about to let me demonstrate
with hers, so I got our own. Because of the
brand it was, it was probably the heaviest
model there. I had the men get into posi-
tion, and I carefully lifted the harp up and
over the wall to them. I was grateful I had
been doing muscle building exercises in an
attempt to lose weight, because lifting that
harp took all the strength I had.
The mother then turned to me and said,
“You can lift mine, too.”
I lifted her harp over, and the two men
set it down.
“How many harps are there?” the film
crew director asked.
“Around twenty-four,” someone replied.
Having lifted the two big ones over, I
gained the trust of the other mothers and
started lifting each harp over to two of the
film crew. There were twenty-six harps, and I
was exhausted after that workout.
The film crew tested their big, heavy
cameras, putting them on a cart to roll
around as they filmed. But the round brick
pavers caused the cameras to jiggle. They
tried wagons and other carts with the same
result. Finally, they just had to carry the
cameras. But the film crew tired fast and
could only work for about thirty seconds before playing tag and passing their camera to
another crewman. We watched as they shot
take after take until I could see their arms
shaking from exhaustion. Finally, it was all
done.
I figured after my first workout lifting
harps, I would just do my own. It was all I
could do to get a couple of film crew guys to
take it on the outside of the fountain. I then
realized all the mothers were waiting for me
to lift theirs, too. I lifted every one over, and
the tired film crew traded off lifting them
down. When I finished the last one, my arms
were shaking from exhaustion.
I felt good when the film crew leader,
only half joking talking about me, said to his
crew, “I ought to fire half of you and hire him.
He lifted every harp by himself.”
That made me feel good until he said,
“And wow, he’s old!”
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State Historical
Society Election
Winners
Announced
PIERRE, S.D. – Winners
of the annual South Dakota State Historical Society
board of trustees election
were announced by Society Director Jay D. Vogt on
Friday, April 26, during the
society’s annual history
conference in Pierre.
Re-elected unopposed to
the professional archivist
position was Laurie Langland of Fulton. Langland is
the university archivist at
Dakota Wesleyan University
in Mitchell.
This year, the incumbent
for the member-at-large seat,
Robert Kolbe of Sioux Falls,
did not run for re-election,
opening the door for seven
other candidates: Sean J.
Flynn of Mitchell, Dave
Grettler of Aberdeen, Dillon
A. Haug of Spearfish, Shawn
Lyons of Pierre, Marcus
Mahlen of Sioux Falls, John
L. Maynes of Brookings and
Jim Wilson of Vermillion.
Flynn, a professor of
history at Dakota Wesleyan
University, was elected to a
three-year term.
It was also announced
that Gov. Kristi Noem has
reappointed John D. Fowler
of Elk Point as a member-at
large and Tom Hurlbert of
Sioux Falls to the architect
position. Sioux Falls architect Jeff Hazard chose not to
be re-appointed to the board
after nine years of service.
The State Historical
Society was created by the
State Legislature in 1901, and
the society was governed
by an executive committee
until a reorganization in 1985
and the establishment of the
current board of trustees
structure. The board also
serves as the State Review
Board under federal law.
Certain disciplines are
included on the board. The
Governor is responsible for
appointing an architect, a
historian and four at-large
members. Society members
are responsible for electing an archaeologist, an
archivist, an architectural
historian and three at-large
members. Each member of
the board is selected for
a three-year term. Society
members elect two members
and the Governor appoints
two members every year.
May 7, 2019 www.broadcasteronline.com
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