bp_061912_005.pdf
Broadcaster Press 05
June 19, 2012 www.broadcasteronline.com
Banks doesn’t play favorites when
it comes to NMM collection
By Travis Gulbrandson
travis.gulbrandson@plaintalk.net
Although she has
worked as curator of
musical instruments at
the National Music
Museum since 1978,
Margaret Banks said she
does not have a favorite
piece in the more than
15,000-instrument
collection.
“That’s hard,” she said.
“Somebody said it’s like
(being asked), ‘Which is
your favorite child?’ It’s
hard to point out which is
your favorite.”
Banks said she has
favorites on many
different levels – several
of which come from
Conn Instruments, now
known as Conn-Selmer,
Inc.
There’s a Conn cornet
dating from about 1876 –
the third one ever made.
“It’s the oldest one that
anybody knows to
survive,” Banks said. “We
don’t know where
numbers one and two are.
“We also have Conn’s 1
millionth trumpet, so
those are interesting
numbers,” she said.
Banks has been
interested in Conn since
the 1980s, she said.
“Their history is just
fascinating,” she said.
“Conn was one of the
biggest instrument
manufacturers, one of the
most important ones in
this country, and actually
the world, at the turn of
the 19th and the 20th
centuries.”
Among Banks’ other
favorites are some
Stradivari pieces, the
world’s oldest playable
harpsichord and the
oldest surviving French
grand piano.
“It’s fun to say that we
have the oldest and the
most, but it’s really true.
We do,” she said.
Although Banks has
been a curator at the
museum for more than
three decades, her duties
expanded to include an
even higher office in
January 2011: Interim
executive director.
“It (involves) manage
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Menus are subject to
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Spotlight
On
the whole museum, the
finances, the collections,”
she said. “It has to do
with marketing, public
relations – most of the
things you would think of
for managing a business.”
Banks took over for
museum founder and
current director emeritus
André Larson.
“I think it’s going well,”
she said. “It’s challenging.
Every day there’s
something different to
deal with, but it’s pretty
exciting, actually.”
Musical instruments
have long been a passion
for Banks.
“I played the piano
starting when I was five
years old,” she said. “I
took up the violin in
second grade, took up the
clarinet in the fifth grade.
“During the summers,
I would say to my band
director, ‘Is there an
instrument I can take
home and learn to play?’ I
took a flute home one
year, a French horn one
year,” she said.
As she went through
college and graduate
school, Banks became
more interested in
organology – the study of
the history of musical
instruments.
She has been able to
Board of County Commissioners
Clay and Yankton Counties
Ruth Bremer, Clay County Auditor
From “licorice sticks” to
walking sticks n— you can
see them both this summer
at a special temporary
exhibition, “Clearly
Clarinets: Tools of Human
Expression,” at the National
Music Museum on the
campus of the University of
South Dakota.
Discover for yourself a
dizzying variety of clarinets
with more than 50 neverbefore-displayed
instruments and related
materials. Browse through
the display to discover the
ancient and more recent
ancestors of the modern
clarinet. See from what
kind of materials clarinets
have been made as well as
how the keys and fingerings
have developed. Highlights
of the exhibition include
bright green and dazzling
pink clarinets and a silver
“Thermos” clarinet. Special
guests invited to visit the
exhibition this summer will
include members of the
International Clarinet
Association, who will be
attending ClarinetFest® in
Lincoln, Neb. in August.
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technological wonders of
entertainment, we still revel
in blowing our own breath
through the clarinet, we
delight in moving our own
fingers, and we savor the
sounds that are produced
in the process,” noted
Deborah Check Reeves,
curator of Education and
Woodwind Instruments at
the NMM and one of the
designers of the exhibition.
“Clearly Clarinets” runs
from June 1 through Aug.
31 and can be viewed at the
National Music Museum
Monday through Saturday
9 a.m. until 5 p.m., and
Sundays from 2 to 5 p.m.
Admission on Fridays is
always free. “Clearly
Clarinets” is made possible
through generous
donations from the
Vermillion Rotary Club,
First Dakota National
Bank, the South Dakota
Arts Council, and Ray’s
Midbell Music in Sioux
City. The exhibition design
was a collaborative effort of
Reeves and graduate
assistant, Ana Sofia Silva
(Lisbon, Portugal).
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dissemination of
knowledge of all those
different categories,” she
said.
And Banks said she
couldn’t be happier doing
it.
“It’s a great place to
work,” she said.
‘Clearly Clarinets: Tools of Human Expression’ on display
Tu esd a y Ju n e 26,2012 a t 1:00 P.M .
At To by’ Lo u n ge,M ecklin g,SD
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To discuss m ainten an ce on the ditches for 2012/2013 an d
other m atters to com e before the Board.
Allinterested person s are urged to atten d.
devote herself full-time to
that study as a curator for
the museum, which finds
her dealing with musical
instruments, archival
photos, sound recordings
and ephemeral materials
from musical instrument
companies.
“I’ve been overseeing
the cataloguing, the
organization and the
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