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Broadcaster Press 03
September 24, 2013 www.broadcasteronline.com
‘From the Top’
is a hit with
local audience
By Travis Gulbrandson
travis.gulbrandson@plaintalk.net
The National Music
Museum (NMM) launched
its 40th anniversary
celebrations on Sunday with
the help of some very
talented teenagers.
That afternoon, several
of the museum’s
instruments were used in
the taping of “From the
Top,” a nationallysyndicated radio show that
gives young musicians the
opportunity to display their
performing skills, as well as
the non-musical aspects of
their lives.
Eight students from
across the country
performed in the show,
which was taped in Aalfs
Auditorium.
One of them, 13-year-old
violinist Maya Buchanan,
comes from the Rapid City
area, where she lives on a
ranch with her family, who
raise steer.
“Even though we live on
the ranch, we’re a classical
music family,” Buchanan
said. “My sister is a violinist
and my brother is a violist,
and sometimes we play
together.”
“I love the contrast
between your life in the
Black Hills and your life
studying classical music,”
said Christopher O’Riley,
classical pianist and host of
“From the Top.” “For
example, you do a lot of
traveling just to study the
violin.”
Buchanan said she flies
to Texas on a regular basis to
study with Paul Kantor.
“One day at the Suzuki
Institute of Dallas where I
have my lessons, I just found
an open room where an old
guitar teacher (used to
teach),” Buchanan said. “It
was just an empty room, so
I just decided it would be
my studio, so I just put my
name up and turned it into
my studio.”
She then put a lesson
sign-up sheet outside, and
now she has a 7-year-old
student.
During the show,
Buchanan played the first
movement of Beethoven’s
Violin Sonata No. 5 in F
Major.
She was accompanied by
O’Riley on one of two of the
NMM’s historic grand
pianos that were featured in
the show.
The Luna Quartet also
performed. Consisting of
students from the Artaria
Chamber Music School in
St. Paul, MN, the quartet
played the fourth
movement of Haydn’s
String Quartet No. 64 in D.
Major.
“The piece is very happy
and energetic, and very
smiley,” said violist
Alexandra Sophocleus, 18.
“We like to smile a lot when
we play, as well, and it’s nice
to play a piece that
embodies that smiley
nature. When you play
something that’s darker and
more mysterious, like
Shostakovich, it’s a little less
appropriate to smile.”
The piece is technically
challenging, as well.
“There’s a lot going on
with this Haydn,” said
second violinist Emma
Richman, 15. “One of the
first challenges is actually
starting the piece together.
We tried many ways of
cueing it, different upbeats,
and nothing seemed to be
working, so we figured out
that (first violinist) Anna
(Humphrey) taps her
thumb twice on the neck of
her instrument before we
start, and we come in
together. So that’s what
we’ve been doing.”
Humphrey, 17, vouched
for the piece’s complexity.
“There are a lot of runs
in this piece, so it’s kind of
stressful for the first
violinist, but at the same
time it’s really rewarding,”
she said. “When you hit the
really high notes, it’s just the
greatest feeling.”
When they’re not
performing for an audience,
cellist Nora Doyle, 17, said
the quartet enjoys sightreading.
“That’s something that
we really enjoy, something
that we just do for fun when
we have quartet sleepovers,
actually,” Doyle said. “It’s
part of how we choose our
repertoire for the year, too.”
Fifteen-year-old pianist
Evan Lee of Brooklyn, NY,
performed Franz Liszt’s
Transcendental Etude No. 4.
Lee spoke about how his
first lesson at Julliard PreCollege brought about the
most important change in
his musical life. He said he
brought a Chopin concerto
to play, which he now says
he should not have done.
“(My instructor)
pretended to listen to me for
about two pages, and then
she told me to stop, and was
like, ‘No, we have to
basically start from scratch,’
because I wasn’t ready to
play something like that,”
Lee said. “So, I didn’t
understand what she was
doing to me at that time,
Young performer Henry Johnston conducts a sound check of his guitar during rehearsal in Aalfs Auditorium on the
USD campus last weekend.
(Photo courtesy of the National Music Museum)
but since she was my teacher
I trusted her, and went on
through the first year. …
“It was a huge change for
me, but the second year I
really understood why she
wanted me to start over. My
musicianship improved,” he
said.
Guitarist Henry
Johnston, 16, of St. Paul,
MN, performed the third
movement of Manuel
Ponce’s Sonata No. 3.
Johnston has been
studying music since he was
three years old, although
initially he was going to play
the violin.
It didn’t work out.
“My lesson got
rescheduled to what was
formerly my naptime, so
that was a bad idea right off
the bat,” he said.
Once the lesson was set
to begin, Johnston hid
under a piano.
“Finally toward the end
of the lesson my teacher was
trying to coax me out …
and I ended up saying
something along the lines
of, ‘I want to take your
violin out into the parking
lot and smash it with a car,’”
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he said.
Eighteen-year-old
saxophonist Jon Corin of
Sarasota, FL, performed the
first movement of Fantasia
by Heitor Villa-Lobos, and
was accompanied by
O’Riley on the piano.
Corin said he enjoyed
walking through the
saxophone exhibit at the
NMM.
“The staff was amazing
and explained a bunch of
different things about the
development of the sax,” he
said.
During his interview
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with O’Riley, Corin shared a
view of music that was
conveyed to him by
conductor Steve Davis.
“Oftentimes music is
portrayed as being good for
something other than its
own sake, and (Johnson)
really feels that music
should be promoted and
endorsed because it’s
amazing on its own,” Corin
said. “Basically, this really
rang true with me.”
This episode of “From
the Top” will be aired
nationally the week of Oct.
21.
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